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Showing posts with label Walters Art Museum. Show all posts
Showing posts with label Walters Art Museum. Show all posts

April 12, 2015

An Updated Analysis of What Remains of Nimrud's NorthWest Palace of Ashurnasirpal II


Photo by Mustafa Al Najjar
As news of the Nimrud explosion video produced by Daash, ISIL, Deash, ISIS, Daaesh, Islamic State gets press time.  Rearchers and journalists are beginning to comment on the missing chunks and slices of the Assyrian reliefs seen from the video's imagery of the North-West Palace of Ashurnasirpal II.  Social Media has been abuzz with speculation that these pieces may have been removed in advance of the explosion, for sale on the illicit antiquities market.   While this might partially prove to be  true, it is premature to speculate on this before cross referencing and doing so just adds to the shock and horror propaganda the militants want to demonstrate.

Sam Hardy has excellent Day One analysis of the attack on Nimrud as does Paul Barford who asks when this video was made.

A new PDF report analyzing relief and object damage was published by Simone Mühlon on April 15, 2015 and can be downloaded here

Assyrian reliefs, stone slaps and epigraphic remains in the form of cuneiform texts can also be found in private and museum collections throughout the world.  ARCA has listed a fairly comprehensive listing of the 76 known public collections and 6 private collections which contain material culture from this archaeological site.
  
 Museums

Abegg Foundation, Bern
Amherst College, Amherst
Archäologisches Institut und Archäologische Sammlung der Universität Zürich, Zurich
Arkeoloji Müzeleri, Istanbul
The Art Institute of Chicago, Chicago
The Art Museum, Princeton University
Arts & Culture Centre, Memorial University
Ashmolean Museum, Oxford
Australian Institute of Archaeology
Bhau Daji Lad Museum, Mumbay, India (formerly Victoria and Albert Museum)
Bowdoin College, Brunswick, Maine
The British Museum, London
Brooklyn Museum, Brooklyn,
Burrell Collection. Art Gallery and Museum, Glasgow
Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbay, India (formerly Prince of Wales Museum of Western India)
Christ Church College, Oxford
Chrysler Museum of Art, Norfolk
Cincinnati Art Museum, Cincinnati
Detroit Institute of Arts, Detroit
Fitzwilliam Museum, University of Cambridge
Fleming Museum, University of Vermont
Fogg Art Museum, Harvard University
Glencairn Museum, Academy of the New Church, Bryn Athyn
Hood Museum, Dartmouth College
Idemitsu Museum of Arts, Tokyo
Kalamazoo Valley Museum, Michigan
Kimbell Art Museum, Fort Worth
Los Angeles County Museum of Art (LACMA), Los Angeles
Louvre Museum, Paris
Magdalen College, Oxford
Manchester University, Museum, Manchester
Memorial Art Gallery, University of Rochester
Metropolitan Museum of Art, New York
M.H. De Young Museum, San Francisco
Miho Museum, Kyoto
Minneapolis Institute of Arts, Minneapolis
Mosul Museum, Mosul, Iraq (Condition unknown)
Middlebury College, Middlebury
Mount Holyoke College, South Hadley
Museo Civico di Archeologia Ligure, Genoa
Museo Barracco, Rome
Museo Gregoriano Egizio, Rome
Musées royaux d’Art et d’Histoire, Brussels
Musei Vaticani, Rome
Museum and Art Gallery, Bristol
Museum Calouste Gulbenkian, Lisbon
Museum für Kunst und Gewerbe, Hamburg
Museum of Art, Cleveland
Museum of Fine Arts, Houston
Museum of Fine Arts, Boston
Narodowe w Warszawie, Warsaw
National Car Museum of Iran, Tehran, Iran
National Museum of Iraq, Baghdad (Condition unknown)
Nationalmuseet, Copenhagen
National Museums Scotland, Edinburgh
Ny Carlsberg Glyptotek, Copenhagen
Oriental Institute, University of Chicago
Royal Ontario Museum of Archaeology, Toronto
Saint Louis Art Museum, St. Louis
Skulpturensammlung, Dresden
Staatliches Museum Ägyptischer Kunst, Munich
State Hermitage Museum, St. Petersburg
Swedish National Museum, Stockholm
Tyndale House, Cambridge
University of Pennsylvania Museum of Archaeology and Anthropology, Philadelphia
Virginia Museum of Fine Arts, Richmond
Virginia Protestant Episcopal Theological Seminary, Alexandria
Vorderasiatisches Museum, Berlin
Wadsworth Atheneum, Hartford
Walters Art Museum, Baltimore
William Rockhill Nelson Gallery of Art, Kansas City
Williams College Museum of Art, Williamstown
Weingreen Museum of Biblical Antiquities, Trinity College
Worcester Art Museum, Worcester
Yale University, New Haven

Private Collections:
Anonymous (3)
Fred Elghanayan, New York,
Collection Merrin, New York
Collection Samuel Josefowitz, Lausanne

A joint project of the University of California, Los Angeles, the University of Oxford, and the Max Planck Institute for the History of Science, Berlin has completed a comprehensive list of the known collection items with corresponding drawings to the Assyrian reliefs where information has been available.  This online reference may be useful in determining more details of what was gone before vs. what might have been cut away for illicit sales prior to the site's detonation.

Another excellent research project for review materials is the  "Materialities of Assyrian Knowledge Production: Object Biographies of Inscribed Artefacts from Nimrud for Museums and Mobiles".   Funded by the UK Arts and Humanities Research Council (AH/K003089/1) it was based at the Department of History and Philosophy of Science (HPS), University of Cambridge, UCL, the British Museum's Department of the Middle East, and the Babylonian Section of Penn Museum

In final comment, this might be an opportune time to underscore that the site does live on, primarily in the hearts and souls of the people of Iraq, but also tangibly, albeit widely dispersed. 

By Lynda Albertson







February 11, 2014

The Monuments Man of the Walters Art Museum: Michael Kurtz and Melissa Wertheimer spoke about the life and work of Marvin Chauncey Ross


Niclaus of Haguenau and Matthias Grünewald.
Isenheim Altarpiece.  1512-1516.
Unterlinden Museum, Colmar, France.

By Kirsten Hower, Social Networking Correspondent and List-Serve Manager

The Monuments Men were the unsung heroes of the Second World War who have lately achieved some very belated fame through literature, especially Robert M. Edsel’s Monuments Men (Preface, 2009) and Saving Italy (W.W. Norton & Company, 2013). Even Hollywood has caught on to the great story of the Monuments Men with the rather belated release of George Clooney’s new film. While the books and the movies help to give their audiences a perspective on the work of these men during the war, museums are stepping forward with stories of their personal heroes that staffed their museums until leaving for the war.

The Walters Art Museum hosted a talk on Sunday, February 9th, about the life and work of Marvin Chauncey Ross who was their first curator of Medieval Art and Subsequent Decorative Art and a Monuments Man. Ross is credited with finding, among many works, Matthias Grünewald’s Isenheim Altarpiece in the Alsatian château of Haute Koeningsbourg.

Ross, sadly, was not there to tell his own story as he passed away in 1975, but Michael Kurtz and Melissa Wertheimer were there to do so in his stead. Kurtz, who is the former Assistant Archivist for Records Services at the National Archives, is the author of America and the Return of Nazi Contraband: The Recovery of Europe’s Cultural Treasures (Cambridge University Press, 2009) and discussed the 345 men and women that made up the “Monuments Men.” His talk, titled “Against the Odds: America, the Monuments Men, and Saving European Cultural Heritage,” gave a brief overview of the goals and struggles of the Monuments Men during and after the Second World War.

Wertheimer, a Walters’ archivist assistant, shared her knowledge of Ross’ experiences in the “Monuments Men” that she uncovered while going through the Walters archives that hold 15 cubic feet of papers left behind by Ross. Her talk, titled “Archival Treasures of a Monuments Man,” gave an interesting perspective on the lives of the Monuments Men. Knowing Ross’ occupation during the war, Wertheimer hoped to find his work and correspondence in the archives. After a few false starts and a chance discovery in Ross’ “miscellaneous” documents, she found what she was looking for: letters between Ross and George Stout, as well as other Monuments Men. Additionally, Wertheimer discovered fifteen papers that Ross had written about the issues faced in the war by the Monuments Men, including “War Damage in Chartres” which was published in the College Art Journal.

Wertheimer is intent upon continuing her research into the life and relationships of Marvin Chauncey Ross. One can only hope that she continues to find as many gems as she has so far!